Music And The Paranormal

Melvyn Willin, the archive liaison officer for the Society for Psychical Research, just published Music And The Paranormal: An Encyclopedic Dictionary (Jefferson, North Carolina: McFarland & Company, 2022). The relationship between music and the paranormal is a significant and neglected topic and one that Willin has studied in a lot of depth for a long time. I'll quote some of his comments from the preface:

Since music is arguably the most intangible of the arts and since the paranormal, in all its manifestations, continues to intrigue people, the placing of these two subjects together seems long overdue. My own career in music as both a teacher and performer was infiltrated throughout my life with anomalies that intrigued me and my fellow musicians. Nobody seemed to be able to explain why some people appeared to be able to compose music or perform beyond their normal ability which, in some cases, they attributed to the deceased. Nobody seemed to be able to explain why music was sometimes heard when there was no obvious, or even un-obvious, source of the sound. Nobody seemed to explain why a number of people heard music when they were close to death which they remembered when they were resuscitated. Nobody seemed able to explain how intrusive operations could be conducted on people without anesthetic, but by using music to eliminate the pain. Nobody seemed able to explain why autistic people often possessed phenomenal musical abilities….I decided to undertake research into these and other related musical anomalies over a period of many years which culminated in two doctorates being awarded by Sheffield University and Bristol University, both in the UK. Previous pure music degrees were awarded by London University and Surrey University and a graduate diploma from the Royal Academy of Music, London. For more than thirty years I have been a member and then council member of the Society for Psychical Research (SPR) and more recently the archive liaison officer. During this time, I have been directly involved with the archiving of the Society's manuscripts collection stored at Cambridge University Library. The audio-visual archive is held at my own premises in Essex, England….

The printed sources for my extensive research are many and varied, but I have not found a single book that has brought the multiple strands together….An earlier work of my own, Music, Witchcraft and the Paranormal (see Willin, 2005), outlined my original academic study of the material. I shall also be able to present my own case histories taken from interviewing a wide range of people and visiting sites where music has allegedly been heard from unknown sources. The end result will be a reference work that can be used to explore the academic study of music and the paranormal in a comprehensive alphabetical order as well as be of interest to the general public.