I saw
Let Me In recently. As Vampire flicks go, it’s one of the best of the genre. A
twisted love story.
Owen is
an adolescent boy whose parents are separated. Indeed, going through a divorce.
He’s staying with his mom in a slummy apartment complex.
He’s
very bright, but small and vulnerable. He’s one of those kids who has a
“pick-on-me” bull’s-eye painted on his back. He attends a vicious inner city
school where he’s bullied by some older, bigger students. His loneliness is
accentuated by fact that his world is walled in by ice and snowdrifts.
His mom
seems to be a genuinely caring, conscientious parent. But she’s distracted by
divorce proceedings and working a job to support herself and her son as a
single parent. And she’s naïve about what he’s facing at school every day.
His mom
is a professing Christian. The film doesn’t mock her piety, unlike the mother in Carrie.
She’s not a fanatic or a hypocrite.
Her
piety may be conventional rather than deep, but it gives Owen a moral
framework. It makes him morally conflicted about his new “girlfriend.”
Owen
needs his father, but his father isn’t there. Moreover, his dad is a poor
listener. The father is too mad at the mother to tune into his son’s concerns.
He misses a key opportunity to make the difference.
Enter
Abby. She’s a girl, but not a girl. She was turned at the age of 12, so she’s a
paradox. Because her maturation was frozen in time at the age of 12, she still
has the emotional make-up of an adolescent girl.
But
she’s been 13 for decades, if not longer. So in another sense, she’s very
mature for her age. Worldly. Sophisticated. Not to mention the awkward little
fact that she’s a (literally) bloodthirsty serial killer.
She’s
constantly on the move to elude the authorities. Like Owen, she’s adrift. If
he’s lonely, so is she.
Mysterious
and pretty, she takes an interest in Owen. Naturally he forms an instant crush.
But she can oscillate between sweetness and savagery in the blink of an eye.
Because,
psychologically, she’s still an adolescent girl, the puppy love goes both ways.
If Owen is smitten by Abby, she has a boy crazy streak which reciprocates his
passion.
But
there’s a rival in the picture. Her “father,” who isn’t really her father.
Thomas is jealous of Owen because Thomas was Owen. Thomas is getting over the
hill. So the cycle repeats itself. He’s on the way out, while the new kid is on
the way in.
Abby is
protective of Owen, which is one reason he falls for her. But it’s not purely
disinterested on her part. They will end up protecting each other in different
ways. She will use him and cast him aside when he becomes a liability. Although
she has real feelings for him, survival takes precedence. He’s not the first,
and he won’t be the last.
Unlike
the Twilight saga (of which I only saw the first installment), this film
doesn’t glamorize vampirism. It’s a very dark romance. A jarring mix of beauty
and brutality.
I've heard it's based on a Swedish film of the same name. I haven't seen either film though.
ReplyDeleteIt is a remake though I haven't seen either version of the story. The original was considered one of the best vampire films the genre's had in years so even reviews that dismissed the remake as being a remake conceded that Let Me In is at least a remake of a worthy film.
ReplyDeleteThe Swedish film is "Let the Right One In" and is much better, IMO. However, I did see the original film first and there might create a slight bias for it.
ReplyDeleteIn the book, 'Abby' was never a girl and yes, the Swedish film is darker and a lot better.
ReplyDelete