Graham Morris On The Reliability Of His Levitation Photographs

My last post discussed some significant comments Graham Morris made about his famous photographs of Janet Hodgson allegedly levitating in the context of the Enfield Poltergeist. I want to quote some of his relevant comments here.

Aside from the importance of his comments in the context of his levitation photos, there's the issue of the general quality of Maurice Grosse and Guy Playfair's investigation of the case. They've been criticized a lot over the years - by Anita Gregory, Tony Cornell, and others - for allegedly handling the Enfield case poorly. You can click on the links just provided for responses to their criticisms. (And I've written other responses.) Some of the criticisms have had some validity, like what I've discussed here and in other posts, but the criticisms have been largely inaccurate. Many of the best aspects of Grosse and Playfair's work have been overlooked or underestimated. See my discussion with David Robertson about the scientific documentation they gathered for Janet's paranormal abilities, for example, such as testing her ability to bend metal at the Hodgsons' house in 1977 (as described in the video clip here) and a weight gain experiment conducted at Birkbeck College (part of the University of London) in 1982. Skeptics often object to the lack of video evidence, but Grosse and Playfair arranged for a video team from Pye Business Communications to come into the house the same month the investigation of the case began. Go here to listen to Ron Denney of Pye describing how their camera equipment malfunctioned in apparently paranormal ways while they were in the house, ways he describes as "absolutely impossible" and "one chance in a million". And Stewart Lamont's video captured what seems to be the poltergeist's knocking occurring elsewhere in the house while the Hodgson girls were being filmed sitting on a couch (with the other Hodgson children also accounted for), contrary to the typical skeptical argument that they faked all of the phenomena. I've discussed other examples of the quality of the investigation here. Graham Morris' recent comments about how they handled photography issues, quoted below, are worth adding to the list.

Enfield Miscellany (Part 11)

It's been more than two years since I posted the last entry in this series. I have enough material to justify another one now, so I'm picking up where I left off.

Resources For Evaluating The Enfield Levitations

The BBC recently reaired a television program about the Enfield Poltergeist that came out a couple of years ago. So, there's been another round of media coverage of the Enfield case (e.g., here and here). One of the issues that's come up, as usual, is levitation, including discussion of the levitation photos.

I've said a lot about the evidence for the Enfield levitations in other posts. For an overview, see here. And here's a lengthy discussion of the evidence for the famous December 15, 1977 levitations. Janet Hodgson produced some paranormal results in a scientific experiment conducted in 1982 that was related to levitation. Here's a discussion of that experiment, and here's a lengthy discussion I had with David Robertson (one of the researchers involved) about the experiment and other scientific testing that was done on Janet. You can watch Maurice Grosse discussing the experiment I'm focused on in a 1998 television program here. And there's some photographic evidence for some of the levitations. The post linked above that provides an overview of the levitation issue discusses some of the photographic evidence. Below is a photographic sequence that wasn't mentioned in that post, one that I got from Apple TV's Enfield documentary that came out last year. As Graham Morris explains starting a little after the 30:12 mark in the second part of the documentary, there was one-sixth of a second between the two photos in this sequence:

That's not as good as video evidence, but it's close. (For a discussion of the segment of the documentary featuring Morris' comments, go here and do a Ctrl F search for "30:12". For a discussion of the video evidence for some other Enfield phenomena, see this post. Regarding the common skeptical objection that there isn't more video evidence, start listening here in a 1978 documentary on the Enfield case. The relevant segment is less than three minutes long. You'll hear two professional camera operators, Ron Denney of Pye Business Communications and Graham Morris of the Daily Mirror, commenting on how their camera equipment malfunctioned in extremely unusual ways while they were in the Hodgsons' house and attempting to film the poltergeist's activities. They use the phrases "impossible", "absolutely impossible", and "one chance in a million" to describe the likelihood that these malfunctions would occur by normal means. Their testimony is important for multiple reasons. They're professionals whose jobs involved working with that camera equipment. So, that addresses their competence to assess what's involved and skeptical claims about a need to have professional analysis of such events. Furthermore, the events in question not only provide evidence that something paranormal was going on, but also provide evidence that the entity involved sometimes didn't want to be filmed. The researchers did attempt to film it, though, and were occasionally successful.) For a discussion of the evidential value of some of Morris' other levitation photos, see my overview post mentioned above.

The post here discusses some other levitations. Do a Ctrl F search for "One doctor's" to read about a levitation that occurred while Janet was incapacitated with Valium and, therefore, not in a condition to fake the event. During the course of the Enfield case, a double-digit number of witnesses reported seeing one or more levitations. Do a Ctrl F search for "Edwards" in the post just linked. Read on for a while, and you'll get to a transcript of a discussion between Maurice Grosse and another individual who witnessed some paranormal events, including some levitations. Another subject that comes up in that post and others is audio evidence for these levitations (how tapes of the events corroborate the testimony of the witnesses, a lack of creaking noises from beds and floorboards in circumstances in which those sounds are relevant to fraud, throwing incidents that involved landing with a louder noise than jumping produces, etc.).

I'm just giving several examples here. There's a lot more in the posts linked above and elsewhere. Keep these things in mind when you see skeptics making their typical claims about Enfield and the levitation photos.

Enfield Miscellany (Part 9)

(See part 1 here for an explanation of what this series is about. Go to the following links for the other parts in the series: two, three, four, five, six, seven, and eight. I'll be citing Maurice Grosse and Guy Playfair's tapes. "MG" will refer to a tape from Grosse's collection. "GP" will refer to one from Playfair's. So, MG99A refers to tape 99A in Grosse's collection, and GP20B refers to tape 20B in Playfair's.)

Some Enfield Photographs

Here's a photo of David Robertson (in the lower left) and John Hasted (in the lower right) doing some of their experimentation on metal bending (in a non-Enfield context). (I originally saw the photo on the Twitter account of the Society for Psychical Research.) Hasted advised Grosse and Playfair on how to handle the Enfield case, he visited the Hodgsons' house once, and it seems that some paranormal events occurred while he was there. (Do a Ctrl F search for "entry on John Hasted" here for a discussion of what happened during his visit.) Hasted is the one who sent Robertson to help Grosse and Playfair with their investigation of Enfield, and Robertson conducted his Enfield work under the guidance of Hasted. See the post here for some comments Robertson made to me a few years ago about his Enfield work, including the (successful) experiments he did on metal bending. Here's a segment in an Enfield documentary in which Robertson discusses Janet Hodgson's ability to bend metal without touching it.

Some Enfield Photos Rarely Seen

In 1983, the now-defunct magazine The Unexplained ran a series of articles on the Enfield Poltergeist. The first two were written by Guy Playfair, and the third was written by Anita Gregory (vol. 11, issue 121, "Enfield: The Trouble Begins", 2401-5; vol. 11, issue 122, "Enfield: Whatever Next?", 2426-29; vol. 11, issue 123, "Enfield On Trial", 2458-60). All three articles feature a lot of photographs, with accompanying captions providing some context. Many of the photos are ones I'd never seen before. What I want to do here is post several that I consider the most significant ones. I don't think they're available anywhere else on the web. I'll provide some additional information based on what I know of the context of the photos. I also want to discuss some significant information provided in the caption for one of the photos that's better known.

Go here to see a floor plan of the house where the poltergeist's activities typically occurred. References to Maurice Grosse and Guy Playfair's tapes will use "MG" to designate Grosse's tapes and "GP" to designate Playfair's. MG43A is Grosse's tape 43A, GP32A is Playfair's tape 32A, etc.

What's below is a picture of Janet Hodgson either leaving a bed or landing (on her neck or head) during a throwing incident. The photo is attributed to Grosse. I doubt he'd have told the magazine (or have told Playfair, if Playfair gave Grosse's photo to the magazine) that Janet was being thrown if that wasn't the context. Based on what I know of his behavior on his tapes and elsewhere, I'd expect him to have had good evidence that what he was photographing was a throwing incident. When the subject of levitation comes up, people usually talk about the photos of Janet in a posture that resembles jumping, but the poltergeist lifted her or threw her in a large variety of ways. There are some photographs, like the one below, in which Janet's posture doesn't resemble jumping. (And see here for evidence that the ones with a jumping posture are authentic.) The magazine has two photos overlapping. The upper right portion of the photo below is covered by the bottom left of another one:

All the world's a stage

Alexandria Ocasio-Cortez should've opted for a career in Hollywood rather than politics. In fact, I'd say she deserves an Oscar nomination for her acting! For example:

1. Look straight into the camera for heightened dramatic effect. Sad, angry eyes, heavy with grief. A challenge to the audience.

2. Weep woeful tears, tears of shame and guilt for great wrongs done, vicariously experiencing the same tragedy the illegal immigrants are experiencing. (Alas! If only these "refugees" could somehow have turned around, then they wouldn't have ended up becoming "prisoners" in "concentration camps" at the border.)

3. A final forlorn glance, eyes staring off in the distance, in deep contemplation over the horrors she has witnessed, the unbearable weight of the world upon her shoulders.

4. And let's not forget the cameraman and other crew who captured AOC in all this - finding the right angles, the best lighting, positioning AOC in the proper poses and postures. Surely they're in the running for a Pulitzer prize for photography!

9/11 photos

Here are a series of photos in memoriam of 9/11 from The Atlantic: In Focus with Alan Taylor (who originally created and used to work over at The Boston Globe: The Big Picture):

• "9/11: The Week Before"
  
  
• "9/11: The Day of the Attacks"
  
  
• "9/11: The Decade Since"