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Thursday, April 12, 2012

Organic inspiration

The biblical writers spoke not from a lofty height, separate from the customs and conventions of their day. They spoke of God from out of their own place and time. We are seeing God through their eyes.
That’s why we today should try to see the historical shaping of Scripture not as something to tip our hat to or a hindrance to be over come, but as the very means by which God chose to speak.


Inerrantists don’t deny that Scripture reflects the cultural milieu in which it was given. But what Enns ignores is the source of the cultural milieu in which Scripture was given. Divine agency isn’t confined to the psychological process of inspiration. For divine agency lies behind the culture milieu in which Scripture is given.

Enns acts as though God was stuck with the historical status quo. That God had to make the best of the hand that history dealt him. But this disregards the creatorship and the providence of God. If Scripture has a historical shaping, God is shaping the history. God is the Lord of history.

Enns speaks of the “cultural limitations” of Scripture, but God isn’t limited by culture; rather, culture is limited by God. God isn’t limited to who or what he can find in the world. Rather, God “finds” what he put there in the first place. As Warfield pointed out so long ago:

This is the general problem of the origin of the Scriptures and the part of God in all that complex of processes by the interaction of which these books, which we call the sacred Scriptures, with all their peculiarities, and all their qualities of whatever sort, have been brought into being. For, of course, these books were not produced suddenly, by some miraculous act—handed down complete out of heaven, as the phrase goes; but, like all other products of time, are the ultimate effect of many processes cooperating through long periods. There is to be considered, for instance, the preparation of the material which forms the subject-matter of these books: in a sacred history, say, for example, to be narrated; or in a religious experience which may serve as a norm for record; or in a logical elaboration of the contents of revelation which may be placed at the service of God’s people; or in the progressive revelation of Divine truth itself, supplying their culminating contents. And there is the preparation of the men to write these books to be considered, a preparation physical, intellectual, spiritual, which must have attended them throughout their whole lives, and, indeed, must have had its beginning in their remote ancestors, and the effect of which was to bring the right men to the right places at the right times, with the right endowments, impulses, acquirements, to write just the books which were designed for them. When “inspiration,” technically so called, is superinduced on lines of preparation like these, it takes on quite a different aspect from that which it bears when it is thought of as an isolated action of the Divine Spirit operating out of all relation to historical processes. Representations are sometimes made as if, when God wished to produce sacred books which would incorporate His will—a series of letters like those of Paul, for example—He was reduced to the necessity of going down to earth and painfully scrutinizing the men He found there, seeking anxiously for the one who, on the whole, promised best for His purpose; and then violently forcing the material He wished expressed through him, against his natural bent, and with as little loss from his recalcitrant characteristics as possible. Of course, nothing of the sort took place. If God wished to give His people a series of letters like Paul’s, He prepared a Paul to write them, and the Paul He brought to the task was a Paul who spontaneously would write just such letters.
If we bear this in mind, we shall know what estimate to place upon the common representation to the effect that the human characteristics of the writers must, and in point of fact do, condition and qualify the writings produced by them, the implication being that, therefore, we cannot get from man a pure word of God. As light that passes through the colored glass of a cathedral window, we are told, is light from heaven, but is stained by the tints of the glass through which it passes; so any word of God which is passed through the mind and soul of a man must come out discolored by the personality through which it is given, and just to that degree ceases to be the pure word of God. But what if this personality has itself been formed by God into precisely the personality it is, for the express purpose of communicating to the word given through it just the coloring which it gives it? What if the colors of the stained-glass window have been designed by the architect for the express purpose of giving to the light that floods the cathedral precisely the tone and quality it receives from them? What if the word of God that comes to His people is framed by God into the word of God it is, precisely by means of the qualities of the men formed by Him for the purpose, through which it is given? When we think of God the Lord giving by His Spirit a body of authoritative Scriptures to His people, we must remember that He is the God of providence and of grace as well as of revelation and inspiration, and that He holds all the lines of preparation as fully under His direction as He does the specific operation which we call technically, in the narrow sense, by the name of “inspiration.” The production of the Scriptures is, in point of fact, a long process, in the course of which numerous and very varied Divine activities are involved, providential, gracious, miraculous, all of which must be taken into account in any attempt to explain the relation of God to the production of Scripture. When they are all taken into account we can no longer wonder that the resultant Scriptures are constantly spoken of as the pure word of God. We wonder, rather, that an additional operation of God—what we call specifically “inspiration,” in its technical sense—was thought necessary. Consider, for example, how a piece of sacred history—say the Book of Chronicles, or the great historical work, Gospel and Acts, of Luke—is brought to the writing. There is first of all the preparation of the history to be written: God the Lord leads the sequence of occurrences through the development He has designed for them that they may convey their lessons to His people: a “teleological” or “etiological” character is inherent in the very course of events. Then He prepares a man, by birth, training, experience, gifts of grace, and, if need be, of revelation, capable of appreciating this historical development and eager to search it out, thrilling in all his being with its lessons and bent upon making them clear and effective to others. When, then, by His providence, God sets this man to work on the writing of this history, will there not be spontaneously written by him the history which it was Divinely intended should be written? Or consider how a psalmist would be prepared to put into moving verse a piece of normative religious experience: how he would be born with just the right quality of religious sensibility, of parents through whom he should receive just the right hereditary bent, and from whom he should get precisely the right religious example and training, in circumstances of life in which his religious tendencies should be developed precisely on right lines; how he would be brought through just the right experiences to quicken in him the precise emotions he would be called upon to express, and finally would be placed in precisely the exigencies which would call out their expression. Or consider the providential preparation of a writer of a didactic epistle—by means of which he should be given the intellectual breadth and acuteness, and be trained in habitudes of reasoning, and placed in the situations which would call out precisely the argumentative presentation of Christian truth which was required of him. When we give due place in our thoughts to the universality of the providential government of God, to the minuteness and completeness of its sway, and to its invariable efficacy, we may be inclined to ask what is needed beyond this mere providential government to secure the production of sacred books which should be in every detail absolutely accordant with the Divine will.
The answer is, Nothing is needed beyond mere providence to secure such books—provided only that it does not lie in the Divine purpose that these books should possess qualities which rise above the powers of men to produce, even under the most complete Divine guidance. For providence is guidance; and guidance can bring one only so far as his own power can carry him. If heights are to be scaled above man’s native power to achieve, then something more than guidance, however effective, is necessary. This is the reason for the superinduction, at the end of the long process of the production of Scripture, of the additional Divine operation which we call technically “inspiration.” By it, the Spirit of God, flowing confluently in with the providentially and graciously determined work of men, spontaneously producing under the Divine directions the writings appointed to them, gives the product a Divine quality unattainable by human powers alone. Thus, these books become not merely the word of godly men, but the immediate word of God Himself, speaking directly as such to the minds and hearts of every reader. The value of “inspiration” emerges, thus, as twofold. It gives to the books written under its “bearing” a quality which is truly superhuman; a trustworthiness, an authority, a searchingness, a profundity, a profitableness which is altogether Divine. And it speaks this Divine word immediately to each reader’s heart and conscience; so that he does not require to make his way to God, painfully, perhaps even uncertainly, through the words of His servants, the human instruments in writing the Scriptures, but can listen directly to the Divine voice itself speaking immediately in the Scriptural word to him.

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